Born in Durango and currently based in Mexico City, I embarked on my artistic journey at the age of five, inspired by watching Bob Ross reruns with my mother. After high school, I pursued formal art studies but had to withdraw after one semester due to illness. Since then, I have developed my practice as a self-taught painter, poet, and photographer.

A pivotal moment in my career came when I was invited to the Château d'Orquevaux artist residency, an experience that reshaped my artistic perspective and solidified my commitment to my craft. During this time, I began my ongoing series Habitar, which explores the fluidity of gender and the emotional landscapes of self-expression.

My artistic evolution has taken me from Fauvist-inspired vibrancy to the raw emotional depth of Abstract Expressionism. I work primarily on large-scale canvases, using color and form to navigate themes of gender identity, body dysmorphia, and pop culture. My work is influenced by Paul Preciado, Simone de Beauvoir, and Joan Didion, as well as the Fluxus movement, Japanese haiku, and Yoko Ono’s conceptual approach. Beyond painting, I explore poetry and Polaroid photography, distilling human connection into concise, poetic forms. I also bring my art to the streets through sticker interventions, bridging the gap between gallery spaces and public interaction.

My work has been featured in both solo and group exhibitions, including Sin Temática (Indra Gallery, London, 2025), Efímero: Arte, Vida y Muerte (Centro Cultural Juan Rulfo, Mexico City, 2024), Ladies Night (Covet Art Gallery, California, 2024), Be True, Be You! (KBM Art Gallery, Online, 2024), Medusa: The Power of Women in Art (Van Zaig Gallery, California, 2024), Fligere (EXDECA Gallery, Mexico City, 2024), Diálogos Corporales (EXDECA Gallery, 2023), and Château d'Orquevaux Open Studio (France, 2023). My solo exhibitions include Sincretismo Pop (Tlachiquero Mezcalería, Mexico City, 2022) and Kintsugi: El Arte de Romperse (Palacio de los Gurza, Durango, 2018).

Additionally, my work has been published in The Bureau of Queer Art (Volumes 5 and Autumn Edition) and in my illustrated poetry book Kintsugi: El Arte de Romperse (2018).

My artistic practice is an ongoing exploration of self-discovery, identity, and transformation. Through my work, I invite the viewer to inhabit the multiplicity of being and embrace the beauty of fluidity.